DELUTS RED FILM STOCKS SET

DELUTs - RED FILM STOCKS

DELUTS RED FILM STOCKS

 

80 DELUTS Film 35mm Stock emulations. My interpretations of some of the classic film stocks for the RED Dragon Cameras.

 

Please read first: Profiles are designed around ‘DRAGONcolor2’ Color Space and ‘REDgamma4’ Gamma Curve. ISO is rated around 400 depending on Look, all other meta data settings are at their default.

Please load ‘Base RMD for DELUTS.RMD’ from the folder and replace the ‘Look : Effect : 3D LUT’ with one of the 80 .cube files in this DELUTS pack.

 

LUTs are supplied in 64, 33 and 17 Lattice Points. Interpolation will take place if using LUTS below the intended look of the 64 Lattice Points.

The RED Weapon Dragon Carbon supports Supports 33x33x33, 32x32x32, 26x26x26, 17x17x17 3D LUTs The Magnesium supports unto 17x17x17 3D LUTs in camera. REDCINE-X PRO supports up to 64x64x64 3D LUTs.

 

Exporting to an intermediate codec with 3D LUTs can be very processor intensive. Please use 17x17x17 3D LUTs if you require faster renders. Color points will be interpolated by selecting a lower Edge Length in REDCINE-X PRO 3D LUT options. I do not recommend going below 17 though.

 

 

Please note: There are 80 LUTs in this DELUTS RED FILM STOCKS set. Supplied as native .cube files. No installers are needed or supplied for this set. Integration into Premiere may come at a later point.

 

 

FILM STOCKS:

 

These are my interpretations of some classic film stocks. There are so many variables involved for simulations I have developed a set of Looks that I believe gives you a take on the analogue film look, kind of how you remember them rather than a simulation. To generate these LUTs I have shot multiple stocks of 35mm film, developed and scanned taking reference to produce these looks. I have not given the LUTs official naming as there is no exact standard to do so, even when using set specifications. And besides anyone who knows my LUTS knows my quirky naming and numbering. I will continue to develop this set and I’m always open for suggestions.

 

 

DELUTS FILM SET 1: (In no particular order and I suggest going though and sorting into a favourite order)

 

 

KD Color 7210

Based on an overall modern Kodak film look.

 

 

KD Color 7210 2SU

Based on an overall modern Kodak film look with 2 stops under in tone.

*Film underexposes out of tone more dramatically than over exposing and to get that effect using a 2SU LUT will add the additional color look of doing so.

 

 

KD Color 7211

Based on an overall modern Kodak film look with reduced saturation in the greens.

 

 

KD Color 7212

Based on an overall modern Kodak film look with reduced saturation in the reds.

 

 

KD Color 7213

Based on an overall modern Kodak film look with shadows lightened slightly.

 

 

KD Color 7213 SA

Based on an overall modern Kodak film look with shadows lightened slightly and increased Saturation in the mid-tones.

 

 

KD Color 7213 SA 2SO

Based on an overall modern Kodak film look with shadows lightened slightly and increased Saturation in the mid-tones and 2 stops over.

Doing this instead of just increasing the exposure on KD Color 7213 SA produces more filmic tones.  Example If exposed for 320ISO set ISO in REDCINE-X PRO to 160ISO.

 

 

KD Color 7214

Based on an overall modern Kodak film look with mid-tones and shadows lightened significantly.

 

 

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KDFJ Color 7310

Based on an overall modern Kodak Fuji film look, greens are brighter with colder reds.

 

 

KDFJ Color 7310 2SU

Based on an overall modern Kodak Fuji film look, greens are brighter with colder reds with 2 stops under in tone.*

 

 

KDFJ Color 7311

Based on an overall modern Kodak Fuji film look, slightly faded with warmer mid-tones. One of my Favourites for daylight people shots.

 

 

KDFJ Color 7312

Based on an overall modern Kodak Fuji film look alternative biased to Fuji.

 

 

KDFJ Color 7313

Based on an overall modern Kodak Fuji film look alternative biased to Kodak.

 

 

KDFJ Color 7313 SA

Slightly increased mid-tone saturation over 7313.

 

 

KDFJ Color 7313 SA 2SO

Based on an overall modern Kodak Fuji film look alternative biased to Kodak with 2 stops over in tone.

 

 

KDFJ Color 7314

Based on an overall modern Kodak Fuji film look alternative.

 

 

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KD Color 9210

Warm faded tones from the 70’s, greener shadows when pushed.

 

 

KD Color 9211

Early colour with weak contrast but saturated colours and yellow highlights, greener shadows when pushed.

 

 

KD Color 9212

Nostalgic color tones, greener shadows when pushed.

 

 

KD Color 9214

Expired film, strong washed yellow and oranges whilst letting other colours through.

 

 

IF Color 9215

Instant film, brown blue tones.

 

 

IF Color 9217

Instant film, brown tones.

 

 

KD Color 9217

Gentle color film, soft tones of green and bluer reds.

 

 

KD Color 9218

Gentle color film, cleaner brighter tones of green and bluer reds over the 9217.

 

 

KD Color 9219

Easy tone color film look slightly pushed from under to give softer shadows but a bright feel and strong blues.

 

 

KD Color 9220

Slightly pushed look strong red shadows but still vivid colours.

 

 

KD Color 9221

Very even strong even colors works very well when pulled.

 

 

KD Color 9222

Colours biased to purples in the mid-tones can be brought back via white balance to strong warm tones.

 

 

KD Color 9223

Lovely deep warm mids and shadows works very well in sunshine.

 

 

KD Color 9224

As 9223 but with slightly warmer mid-tones.

 

 

FJ Color 9225

Low saturation film with medium contrast.

 

 

FJ Color 9226

Medium bright greens, modern Fuji feel.

 

 

FJ Color 9227

Medium greens, red mid-tones and slightly expired feeling.

 

 

FJ Color 9227

Warm faded expired feeling with strong saturation.

 

 

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CP Color 7410

Slight cross processed film look, blue tones across the pallet.

 

 

CP Color 7410 2SU

Slight cross processed film look, blue tones across the pallet with 2 stops under in tone.*

 

 

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FC Color 7510

Soft muted tones with a bright feel.

 

 

FC Color 7510 2SU

Soft muted tones with a bright feel with 2 stops under in tone.*

 

 

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WL Color 7610

Warm yellow tones with a hazy filtered light.

 

 

WL Color 7610 2SU

Warm yellow tones with a hazy filtered light with 2 stops under in tone.*

 

 

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FJ Color 7710

Based on an overall on a bright Fuji film look.

 

 

FJ Color 7710 2SU

Based on an overall on a bright Fuji film look with 2 stops under in tone.*

 

 

FJ Color 7710 2SO

Based on an overall on a bright Fuji film look with 2 stops over in tone (best when knocked back down in exposure).

 

 

FJ Color 7711

Based on an overall on a warm Fuji film look.

 

 

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AG Color 7810

Based on an overall warm rich AGFA film look.

 

 

AG Color 7810

Based on an overall warm rich AGFA film look with 2 stops under in tone.*

 

 

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FC Color 7910

Soft muted tones with a cold bright feel.

 

 

FC Color 7910 2SU

Soft muted tones with a cold bright feel with 2 stops under in tone.*

 

 

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KD Color 8010

Based on an overall Kodak film look with deep color and rich contrast for landscapes and water.

 

 

KD Color 8010 2SU

Based on an overall Kodak film look with deep color and rich contrast for landscapes and water with 2 stops under in tone.*

 

 

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AG Color 8110 Very strong base colour with deep skin tones. Blacks set low.

 

 

AG Color 8110 LB

Very strong base colour with deep skin tones. Blacks lifted and faded.

 

 

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AG Color 8210

Strong and fully saturated vibrant colours.

 

 

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AG Color 8310

Strong and fully saturated vibrant colours with warner mid-tones and highlights.

 

 

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FJ Color 8410

Balanced film with neutral mid-tones and dark greens.

 

 

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FJ Color 8510

Low highlight saturation 2 strip with reduced yellow and blues.

 

 

FJ Color 8510 2SO

Low highlight saturation 2 strip with reduced yellow and blues with 2 stops over in tone.

 

 

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FJ Color 8610

Classic strong Fuji tones. Dark reds and brights greens.

 

 

FJ Color 8610 2SU

Classic strong Fuji tones. Dark reds and brights greens with 2 stops under in tone.*

 

 

FJ Color 8610 2SO

Classic strong Fuji tones. Dark reds and brights greens with 2 stops over in tone.

 

 

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AG Color 8710

Warm brown muddy overall with a slightly underexposed feel.

 

 

AG Color 8710 2SO

Warm brown muddy overall with a slightly underexposed feel with 2 stops over in tone.

 

 

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KD Color 8810

Dusty warm earthy tones with gentle highlights.

 

 

KD Color 8810 C

Dusty warm earthy tones with gentle highlights and a tint of blue shadows.

 

 

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KD Color 8910

Kodak style color dark reds and yellow greens.

 

 

KD Color 8910 2SO

Kodak style color dark reds and yellow greens with 2 stops over in tone. Colors remain strong even when pushed.

 

 

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KD Color 9010

Even tones and pink skin tones. Stronger reds, dusty thin yellows and clean greens. Great all rounder.

 

 

KD Color 9010 2SO

Even tones and pink skin tones. Stronger reds, dusty thin yellows and clean green with 2 stops over in tone.

 

 

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KD BW 6010

High contrast black & white tone with medium level Yellow filter for the Reds.

 

 

KD BW 6011

Medium contrast black & white tone with high level converted reds almost IR.

 

 

KD BW 6011 R

Medium contrast black & white tone with low level Yellow filter for the Reds, more suited to skin tones.

 

 

KD BW 6012

Low to standard contrast black & white tone.

 

 

KD BW 6013

Vintage low contrast black & white tone.

 

 

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KD Color 9210

Warm faded tones from the 70’s, greener shadows when pushed.

 

 

KD Color 9211

Early colour with weak contrast but saturated colours and yellow highlights, greener shadows when pushed.

 

 

KD Color 9212

Nostalgic color tones, greener shadows when pushed.

 

 

KD Color 9214

Expired film, strong washed yellow and oranges whilst letting other colours through.

 

 

IF Color 9215

Instand film, brown blue tones.

 

 

IF Color 9217

Instand film, brown tones.

 

 

KD Color 9217

Gentle color film, soft tones of green and bluer reds.

 

 

KD Color 9218

Gentle color film, cleaner brighter tones of green and bluer reds over the 9217.

 

 

KD Color 9219

Easy tone color film look slightly pushed from under to give softer shadows but a bright feel and strong blues.

 

 

KD Color 9220

Slightly pushed look strong red shadows but still vivid colours.

 

 

KD Color 9221

Very even strong even colors works very well when pulled.

 

 

KD Color 9222

Colours biased to purples in the mid-tones can be brought back via white balance to strong warm tones.

 

 

KD Color 9223

Lovely deep warm mids and shadows works very well in sunshine.

 

 

KD Color 9224

As 9223 but with slightly warmer mid-tones.

 

 

FJ Color 9225

Low saturation film with medium contrast.

 

 

FJ Color 9226

Medium bright greens, modern Fuji feel.

 

 

FJ Color 9227

Medium greens, red mid-tones and slightly expired feeling.

 

 

FJ Color 9227

Warm faded expired feeling with strong saturation.

 

 

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A small selection Deluts classic tones.

 

 

DL Color 9110

 

 

DL Color 9111

 

 

DL Color 9112

 

 

DL Color 9113

 

 

DL Color 9114

 

 

DL Color 9115

 

 

DL Color 9116

 

 

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LUT RESOLUTION:

 

 

My Luts are supplied in 64, 33, 17 lattice points. The lower then number the smaller the LUT size and the quicker the LUT will be on an edit sequence. A 64 point LUT and a 17 point LUT will visually look very similar. It depends on the edit software, monitor and the way it interpolates the conversions. For best results in REDCINE-X use a 64 point LUT (Edge Length) by default REDCINE-X interpolates down to 32 points unless you change it.

 

 

For example a 17 point LUT is 111KB where as a 64 point LUT is 7.1MB. A big difference for processing is required between the two.

 

 

Adobe Premiere CC only really functions well on 17 point LUTS but it interpolates them very well. It is very common for people to think using a 8 point LUT or a lower lattice point than 64 will produce banding in their image. This is not the case but It will effect the display of color adjustment if very fine colour range adjustments had been performed. If you are any using any LUT, especially when working on an 8-bit image be cautious as using them can affect the graduations and cause negative artifacts to be displayed.

 

 

Actually using a lower point LUT such as an 8 Point version can smooth out problem areas by interpolation, so using them does have advantages apart from the greatly reduce computer processing requirements needed. I recommend not going below 17 though.

 

 

The Looks (LUTs) are designed around ‘DRAGONcolor2’ Color Space and ‘REDgamma4’ Gamma Curve not LOG. Although they may work on other cameras with some adjustments they will not match across cameras. To be added to this set as a free addition will be some common cross conversion. LOG C, SLOG, VLOG etc.